The painted boys of Attilalou remind me of the video work of Ryan Trecartin, who was in his senior year the first year I was at RISD. Mostly he was a mysterious figure at parties and the subject of much admiration and speculation. He's done really well since RISD -- multiple Whitney Biennale entries, pieces in the Saatchi Collection, winner of the Wolgin Prize (the largest cash prize to an artist awarded in the US, I believe), two rooms devoted to his work at the Younger Than Jesus show at the New Museum, on and on.
I find his work incredibly engaging, wonderfully irreverent, beautifully written and really funny. But it does take some patience. The clips collected below are from his feature length film I-Be Area. Trecartin plays multiple parts in his films, and here he plays the role of Pasta, who is something of a publicist, or creator of identity. I feel unqualified to parse the thing, but in a very general sense it seems to be about identity and how it is created, manipulated.
Anyway, check it out. It's funny, esp. the bead store sequence:
Oh, Jengo. And Pasta is born ...
And off Pasta goes to meet Santine and the the girls in "ol' New Jersey" ...
2 comments:
Interesting bit about the psychological effect of color in (The Bead Store).
". . . show him the color yellow for a year, and then the next year only the color green, and see if it makes him different or more interesting or cooler than everyone else his age. I think in high school it will give him the razor's edge."
I know, isn't the dialogue great?
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